The Journal
Journal

AI × CRAFT
The economics of a hand-painted motif in the age of instant images
A generated image costs a fraction of a rupee. A licensed Pattachitra panel can cost thousands. To some spreadsheets, that makes the artisan look inefficient. We think the sprea...
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AI × CRAFT
What the machine cannot copy: AI and the artisan's hand
Ask an image generator for a Madhubani peacock and you will get something peacock-shaped, Madhubani-flavoured, in four seconds. So why does a hand-painted motif still matter?Bec...
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AI × CRAFT
Twenty-three washes: Kalamkari's answer to the four-second image
A true Srikalahasti Kalamkari passes through roughly twenty-three steps, myrobalan treatment, milk baths, bamboo-pen outlines in iron-black kasimi, dye, wash, sun, repeat. The r...
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AI × CRAFT
Why we use AI for mockups, and never for motifs
Full transparency: AI exists in our workflow. It helps us mock up product photography, test layouts, and draft copy at midnight. What it never does is draw a motif.The line we d...
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AI × CRAFT
Can AI be trained on folk art ethically? Consent, credit, compensation
Folk art sits in a legal blind spot. Much of it is “traditional knowledge” owned by everyone in a community and therefore, in copyright terms, by no one. That makes it the easie...
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ARTISTS
Raghurajpur: the village where every home is a studio
Two rows of houses, a temple street between them, and not a single blank wall. Raghurajpur in Odisha is India's best-known heritage crafts village: around a hundred households, ...
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ARTISTS
The last Patuas of Bengal: scroll singers in a scrolling age
A Patua does not just paint a story, they sing it. In villages like Naya in West Bengal, painter-singers unroll cloth scrolls frame by frame, performing tales of gods, floods an...
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ARTISTS
Sita Devi and the women who put Mithila on the world map
When drought struck Bihar in the late 1960s, the government encouraged Mithila's women to move their ritual wall paintings onto paper so they could be sold. Among the first to a...
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